Exuberant Zambian historico-futuristic matrilineal saga-of-sorts. In following the matrilineal lines, Serpell redresses history written by the victor/man. So, less about politics and more on the domestic front, less about wielding power and more on the receiving end. The hysterical realism mode (typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the […]
Continue Reading
